Lladro Minnie Mouse Figurine

Lladró artists portray a coiled dragon, whose fierce stare conveys all the power and strength of this mythological creature. On a technical level, the production process for this sculpture is highly complex, with all the whiskers, claws, crests, scales and other fragments painted with enamels and metallic lustres in every area. With this blue edition of the Great Dragon, the most contemporary and Westernised vision of the dragon has been depicted, increasing its decorative potential. It is one of the largest pieces in the current range.

For thousands of years, these majestic creatures have represented the best omens in Eastern culture. Artists at the Lladró High Porcelain workshop have recreated this ancient tradition in these limited edition pieces, richly decorated with lustres and various textures and finishes. These lions, inspired by traditional statues of bronze, iron or granite which flank the doors of palaces, temples and noble houses in various Eastern countries, are presented in pairs and protect the buildings from evil spirits. Seen from the front, the male is located on the right and takes care of the structure, represented by the ball he holds with his leg, while the female is located on the left and cares for the inhabitants. This lion is paired with the guardian lioness (blue) and there are two other decorative versions. Blue tones are predominant, in addition to border in gold lustre with alternating gloss and matte finishes. Artists of the High Porcelain workshop recreate and embellish every detail of the piece, such as the elaborate ornamentation of the skirts and chest plates, the introduction of the necklace as a decorative element and the lavish modelling of the manes and tails. Authentic filigree work makes these impressive sculptures a work halfway between the thousand-year-old tradition and the maker´s creation

This High Porcelain limited edition brings a revered goddess to life, recreating a novel colour scheme of healing light, which releases ¨she who hears the lament of the world¨. According to a common Chinese belief, Kwan Yin lives on the island of Pu-tuo-shan, where her temple is surrounded by a lake of violet light which cures the ailments of all who bathe in its waters. It is said she will not rest until all human beings are freed from their suffering. The image of the goddess is decorated with innovative colours such as hues of purple and mauve and the metallic gold and aged silver of the forest flowers, never before used in a Lladró piece. For the remainder of the piece, hues in a harmonious green and yellow colour scheme have been employed.