Lladro Olaf Figurine

For thousands of years, these majestic creatures have represented the best omens in Eastern culture. Artists at the Lladró High Porcelain workshop have recreated this ancient tradition in these limited edition pieces, richly decorated with lustres and various textures and finishes. These lions, inspired by traditional statues of bronze, iron or granite which flank the doors of palaces, temples and noble houses in various Eastern countries, are presented in pairs and protect the buildings from evil spirits. Seen from the front, the male is located on the right and takes care of the structure, represented by the ball he holds with his leg, while the female is located on the left and cares for the inhabitants. This lioness is paired with the guardian lion (red) and there are two other decorative versions. Warm colours are predominant in its ornamentation, with alternating yellow-orange, reds and earth tones. Artists of the High Porcelain workshop recreate and embellish every detail of the piece, such as the elaborate ornamentation of the skirts and chest plates, the introduction of the necklace as a decorative element and the lavish modelling of the manes and tails. Authentic filigree work makes these impressive sculptures a work halfway between the thousand-year-old tradition and the maker´s creation.

If there is one essential character in the history of animation and in the hearts of children all over the world, then that is Mickey Mouse. The world’s most famous mouse made his debut in 1928 in what is now considered Disney’s first resounding success. This piece depicts Mikey who has exchanged his usual colors to dress up in blue, giving the character a more contemporary look.

For thousands of years, these majestic creatures have represented the best omens in Eastern culture. Artists at the Lladró High Porcelain workshop have recreated this ancient tradition in these limited edition pieces, richly decorated with lustres and various textures and finishes. These lions, inspired by traditional statues of bronze, iron or granite which flank the doors of palaces, temples and noble houses in various Eastern countries, are presented in pairs and protect the buildings from evil spirits. Seen from the front, the male is located on the right and takes care of the structure, represented by the ball he holds with his leg, while the female is located on the left and cares for the inhabitants. This lioness is paired with the guardian lion (blue) and there are two other decorative versions. Blue tones are predominant, in addition to a border in gold lustre with alternating gloss and matte finishes. Artists of the High Porcelain workshop recreate and embellish every detail of the piece, such as the elaborate ornamentation of the skirts and chest plates, the introduction of the necklace as a decorative element and the lavish modelling of the manes and tails. Authentic filigree work makes these impressive sculptures a work halfway between the thousand-year-old tradition and the maker´s creation.

For thousands of years, these majestic creatures have represented the best omens in Eastern culture. Artists at the Lladró High Porcelain workshop have recreated this ancient tradition in these limited edition pieces, richly decorated with lustres and various textures and finishes. These lions, inspired by traditional statues of bronze, iron or granite which flank the doors of palaces, temples and noble houses in various Eastern countries, are presented in pairs and protect the buildings from evil spirits. Seen from the front, the male is located on the right and takes care of the structure, represented by the ball he holds with his leg, while the female is located on the left and cares for the inhabitants. This lion is paired with the guardian lioness (blue) and there are two other decorative versions. Blue tones are predominant, in addition to border in gold lustre with alternating gloss and matte finishes. Artists of the High Porcelain workshop recreate and embellish every detail of the piece, such as the elaborate ornamentation of the skirts and chest plates, the introduction of the necklace as a decorative element and the lavish modelling of the manes and tails. Authentic filigree work makes these impressive sculptures a work halfway between the thousand-year-old tradition and the maker´s creation